A Date With the Departed

The pumpkins, penny candy and neighborly hordes of goblins and ghosts shouting “Trick or treat!” remind us of the ancients and their belief that the souls of the dead must be appeased. But it’s the days that follow Halloween that most interest me.

All Saints’ Day and All Souls’ Day are time set aside to broker peace between the living and the dead. Whether you are pagan or religious, Celt or Christian, New Age believer or doubter-at-large, these are the days when you traditionally acknowledge that the gone are not forgotten. The seasonal metaphors of reaping and rotting, harvest and darkness, leaf-fall and killing frost supply us with plentiful memento mori. Whatever is or isn’t there when we die, death both frightens and excites us.

Thus, throughout most of the Western world, graves are decorated on these first days of November with candles and fresh flowers. Picnics are held among the old stones and markers, relatives gather round family plots to give the dead their due of prayers and remembrances.

We humans are bound to and identified with the earth, the dirt, the humus out of which our histories and architectures rise — our monuments and memorials, cairns and catacombs, our shelters and cityscapes. This “ground sense,” to borrow William Carlos Williams’s idiom, is at the core of our humanity. And each stone on which we carve our names and dates is an effort to make a human statement about death, memory and belief. Our kind was here. They lived; they died; they made their difference. For the ancient and the modern, the grave is an essential station.

But less so, lately, especially here in the United States, where we whistle past our graveyards and keep our dead at greater distance, consigned to oblivions we seldom visit, estranged and denatured, tidy and Disney-fied memorial parks with names like those of golf courses or megachurches.

In her honors seminar, “Death in American Culture,” at Gardner-Webb University in Boiling Springs, N.C., June Hobbs takes her students on a field trip to Sunset Cemetery in nearby Shelby. She believes that cemeteries have much to tell us about ourselves. For most of her students, it is their first visit to a cemetery.

“I find this astonishing,” says Professor Hobbs. “This county had more casualties during the Civil War than any other. The dead were everywhere, the churchyards filled up, Sunday afternoons were spent visiting graves. The dead were very much a part of the community, kept alive in everyday conversations.” Now they’ve been downsized or disappeared.

She speaks to a culture that quietly turned the family “parlor” into a “living room,” the “burial policy” into “life insurance” and the funeral into a “celebration of life,” often notable for the absence of a corpse, and the subtle enforcement of an emotional code that approves the good laugh but not the good cry. Convenience and economy have replaced ethnic and religious customs.

The dead get buried but we seldom see a grave. Or they are burned, but few folks ever see the fire. Photographs of coffins returned from wars are forbidden, and news coverage of soldiers’ burials is discouraged. Where sex was once private and funerals were public, now sex is everywhere and the dead go to their graves often as not without witness or ritual.

Still, there remains something deeply human in the way we process mortality by processing mortals in the journey between life as we know it and life as we imagine it, in whatever space the dead inhabit. Wherever the dead go or don’t, it is the duty of the living to get them to the edge of that oblivion.

Since the first cave-dwelling Neanderthal awakened next to a dead kinsman and knew something would have to be done about it, we humans have looked into the tomb or grave or fire and asked ourselves the signature questions of our species: Is that all there is? Can it happen to me? What comes next? Only the dead know the answers. And the living are well and truly haunted by them.

Perhaps Professor Hobbs is right. The dead have something to teach us still. A visit to your local cemetery, here in the month of all saints and souls, is a course in humanity. There are inklings to answers among the stones..

Thomas Lynch, a funeral director and lecturer at the University of Michigan and the author of the memoir Booking Passage.