‘The Zone of Interest’ Exposes How Easy It Is to Look Away
Any filmmaker trying to draw meaning from the Holocaust onscreen faces potential pitfalls. If you showcase individual human perseverance, as in Agnieszka Holland’s 1990 film “Europa Europa”, you risk trivialization; if you attempt to dramatize the inside of a concentration camp, as in Roberto Benigni’s 1997 film “Life Is Beautiful”, you risk exploitation; if you’re simply interested in preserving the testimony of survivors, you risk redundancy with what Claude Lanzmann accomplished in the 1985 film “Shoah”.
Steven Spielberg’s 1993 film “Schindler’s List” is a masterpiece that consciously navigates these risks, but it, too, has faced criticism for sentimentality and for centering the figure of a righteous gentile.… Seguir leyendo »