Gillen D’Arcy Wood

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Historians may look back at Typhoon Haiyan as a turning point in disaster journalism and the politics of climate change. For the first time, an extreme-weather catastrophe in the tropics has shrugged off its “made in Asia” label and gone global.

Coverage of storms, floods and droughts usually begins and ends with war-zone style reporting about dire conditions on the ground. The raw numbers of the dead are interwoven with tragic personal histories of survivors who have lost homes and loved ones. The truism that a picture speaks a thousand words is most true of disaster journalism. With so many shocking scenes of destroyed homes, floating corpses and crying children, the ratio of images to words -- already high in everyday reporting -- skyrockets.…  Seguir leyendo »