Twenty years ago, the death of Britain’s glittering, delicate, troubled global superstar, Princess Diana, shook the British monarchy and revealed a dangerous chasm between the palace and the people. In the wake of her death in a car crash in Paris on Aug. 31, 1997, the royal family was in danger of losing much loyalty and trust over its shabby treatment of “the people’s princess.” Today, though, two decades on, the monarchy is perhaps the most popular institution in British public life — a remarkable restoration that, more than anything, is the lasting legacy of Diana herself.
At first, the royal family was no more capable of dealing with Diana in death than it had been in life.… Seguir leyendo »
How I wish that Christopher Nolan’s new film, “Dunkirk,” had not been released at this moment in history. The reviewers have been near unanimous in their praise: searing, complex, uncompromising about the savagery of war and death. Yet the essential message of the film, with its narrative of heroic retreat in order to fight another day, cannot help but feed the national pride in Britain’s capacity to triumph eventually, no matter what the odds.
Nothing could be less helpful to our collective psyche as the country blunders toward Brexit. We hear much about American exceptionalism, but Britain feels it, too. We are the nation of empire, whose ancestors once controlled a quarter of the globe; we are the mother of parliaments; we stood alone against Hitler; we have not been conquered for a thousand years.… Seguir leyendo »